{"id":20,"date":"2017-09-16T17:59:57","date_gmt":"2017-09-16T17:59:57","guid":{"rendered":"https:\/\/hofilms.co.uk\/?page_id=20"},"modified":"2017-09-16T17:59:57","modified_gmt":"2017-09-16T17:59:57","slug":"art","status":"publish","type":"page","link":"https:\/\/hofilms.ch\/index.php\/art\/","title":{"rendered":"Art"},"content":{"rendered":"<p>Hadzi &amp; van Oldenborgh believe in documentary practice across media: in film, art, web projects and other disciplines. Both have been involved in art projects before and during the partnership, often involving a documentary methodology or mode of address.<\/p>\n<p>Lennaart van Oldenborgh\u2019s main artistic production dates from the 1990\u2019s, with projects addressing television news aesthetics (Newsroom, War Stories) and questions of performance and identity (Peeling, expression\/constraint et al). Since then he has collaborated with Smadar Dreyfus on several large-scale installation works, based on documentary spatial audio recordings from Israel, as well as a surround audio installation by Mikhail Karikis.<\/p>\n<p>Adnan Hadzi has participated in art festivals in East London with SMS Art Angel and other projects, and has contributed to the Swiss !Mediengruppe Bitnik media arts collective for a number of their projects.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hadzi &amp; van Oldenborgh believe in documentary practice across media: in film, art, web projects and other disciplines. Both have been involved in art projects before and during the partnership, often involving a documentary methodology or mode of address. Lennaart van Oldenborgh\u2019s main artistic production dates from the 1990\u2019s, with projects addressing television news aesthetics <a href=\"https:\/\/hofilms.ch\/index.php\/art\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Art<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":7,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":0,"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/media\/7"}],"wp:attachment":[{"href":"https:\/\/hofilms.ch\/index.php\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}